With his lightning speed comedic timing, skills on the dance floor and a truly exceptional, emotional voice, Gavin Hope is a natural born performer and always a fan favorite! Gavin’s diverse career includes song, stage, TV and film, and feeds his wanderlust well. This Juno-nominated solo recording artist has been lucky enough to perform all around the world sharing the stage with such greats as Aretha Franklin, Natalie Cole, Jill Scott, James Brown, and Deborah Cox, to name a few.
Jeans 'n' Classics
Peter Brennan’s Jeans ’n Classics is a winner! For almost 20 years the JnC approach to combining world class rock musicians and symphonies has been a game changer for orchestras in their quest to attract new and more expansive audiences. Jeans ’n Classics is a group of musicians who understand orchestra culture and are committed to help in the building of younger, loyal audiences for symphony orchestras across North America.
D. J. Sparr, composer and guitarist
D. J. Sparr merges art-concert craft with influences from music he performed as a young guitarist. For the performance of Sparr’s BMI/Boudleax Bryant Fund Commission for eighth blackbird, the Albuquerque Tribune wrote: “…in the sextet’s piece The Glam Seduction, the 1980s rock music of Eddie Van Halen meets the instrumentation of Niccolo Paganini. … The result: Paganini on coke.”
Theo Hoffman, baritone
Praised by the New York Times for his “concentrated and rich” baritone, New York-born Theo Hoffman joins LA Opera in 2016-17 for its prestigious Domingo-Colburn-Stein Young Artist Program. There he will sing Hermann in Les Contes d’Hoffmann, Second Nazarene in Salome, and Il medico in Macbeth, as well as cover Horemhab in Akhnaten and Pasha Selim in Die Entführung aus dem Serail. Also ahead, Mr. Hoffman joins Pittance Chamber Music for a concert at the Dorothy Chandler Pavilion, and debuts with the Winston-Salem Symphony as a soloist in Handel’s Messiah. Mr. Hoffman will perform Josef K. in the American premiere of The Trial by Philip Glass at Opera Theatre of Saint Louis in 2017.
Jonathan Blalock, tenor
American tenor Jonathan Blalock, winner of the 2014 Agnes Varis Prize for Bel Canto from the Opera Orchestra of New York, recently triumphed as Prince Claus in the world premiere of Mark Adamo’s Becoming Santa Claus at The Dallas Opera. His critically acclaimed performance was broadcast to Lincoln Center and will be released on DVD later this year.
Daniel Moody, countertenor
Countertenor Daniel Moody has garnered widespread acclaim for his commanding yet expressive vocal timbre and his breathtaking musicianship. Praised as having a “vocal resonance, [which] makes a profoundly startling impression” (The New York Times) and for his “vivid and powerful” voice (The Boston Musical Intelligencer), Mr. Moody is equally known for his “sweet and melancholy sound” (The Washington Post) and ability to “pierce hearts” and “utterly silence a room” (The Boston Musical Intelligencer) with his expressivity and deep connection with audiences.
Margaret Carpenter Haigh, soprano
Soprano Margaret Carpenter Haigh is in demand as a soloist and professional chorister both in the United States and abroad. A passionate proponent of both early music and new music, she regularly performs works by composers from the French, German, English, Spanish, and Dutch Renaissance and Baroque periods as well as music written by contemporary composers. Margaret is co-founder of the French Baroque ensemble L’Académie du Roi Soleil alongside UK-born organist and harpsichordist Nicolas Haigh.
“Heeeeere’s Johnny!” That lead-in, followed by a big band trumpet blast, was the landmark of late night television for three decades. The “Johnny” was Johnny Carson, the announcer was Ed McMahon and the bandleader was Doc Severinsen. Beginning in October 1962, The Tonight Show with Johnny Carson ruled the night air for thirty years. On May 22, 1992, it came to an end…
Soloman Howard, bass
A recent graduate of Washington National Opera’s Domingo-Cafritz Young Artist Program, a program of the John F. Kennedy Center for the Performing Arts, Soloman Howard is garnering superlatives from the press for his vivid performances on the opera and concert stages. His voice is called “sonorous” by The New York Times, “superhuman” by The Denver Post, and “spectacular” by Maryland Theatre Guide.
Vale Rideout, tenor
American tenor Vale Rideout has garnered critical acclaim for his musical artistry and superb stagecraft throughout the United States and Europe. Possessed of both a beautiful instrument and an ability to consistently deliver passionate, energetic performances, he is equally in demand for leading tenor roles from the standard repertory to contemporary works. The Colorado native can be heard on his recently released solo CD of Britten and Finzi songs, as well as on live recordings of Rio de sangre (Albany Records, Grammy® Award nomination) and, as Frank Shallard, in Elmer Gantry (on Naxos, received two Grammy® awards, and voted No. 1 by Opera News “Best of the Year”), both produced by Florentine Opera.
Stephanie Foley Davis, mezzo-soprano
Stephanie Foley Davis was praised by The New York Times in her Glimmerglass Festival debut as “a poised, touching Ma Moss” and Opera News said she was “a loving, careworn Ma, warm of voice and presence.” And Cleveland Classical said, “…Foley Davis and Culver were terrific in their singing and in delineating their sadness” about her recent role debut of Charlotte in Nightingale Opera Theatre’s production of Werther.
Christina Major, soprano
American Soprano Christina Major is a rising star, known for her sumptuous and agile “Italianate sound”. In Opera News, she was hailed as being a “sensitive actress” who “provided the highest emotional stakes of the evening.” The Dallas Morning News has acknowledged her as the “…standout, alternating fire and subtler warmth with touching, real emotional depths.”
André Watts, piano
André Watts burst upon the music world at the age of 16 when Leonard Bernstein chose him to make his debut with the New York Philharmonic in their Young People’s Concerts, broadcast nationwide on CBS-TV. Only two weeks later, Bernstein asked him to substitute at the last minute for the ailing Glenn Gould in performances of Liszt’s E-flat Concerto with the New York Philharmonic, thus launching his career in storybook fashion. More than 50 years later, André Watts remains one of today’s most celebrated and beloved superstars.
Winston-Salem Symphony Announces
Appointment of Art Bloom As
New Chief Operating Officer
WINSTON-SALEM, N.C. (June 17, 2016) – The Winston-Salem Symphony is pleased to announce the appointment of Art Bloom as Chief Operating Officer (COO). The COO position is a new two-year temporary appointment.
Advertise in the Season Playbill!
2015-2016 Annual Meeting
Winston-Salem Symphony Announces
Assistant Conductor Stephen Mulligan
WINSTON-SALEM, N.C. (May 10, 2016) – The Winston-Salem Symphony today announces the resignation of Assistant Conductor/Youth Symphony Conductor/Youth Orchestras Program General Manager Stephen Mulligan effective May 31, 2016. Mulligan departs the Winston-Salem Symphony to focus on the increasing amount of work he is being offered outside of Winston-Salem.
Youth Orchestra Members’ Section
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Winston-Salem Symphony Announces
2016-2017 Discovery Concerts for Kids
and Messiah Dates!
WINSTON-SALEM, N.C. (MAY 5, 2016) – The Winston-Salem Symphony, Robert Moody, Music Director, announces its 2016-2017 Discovery Concert for Kids Series and the dates for the 2016 performances of Handel’s Messiah.
Winston-Salem Symphony Youth Symphony and
Asheville Buncombe Youth Orchestra to
Enjoy Collaborative Weekend
WINSTON-SALEM, N.C. (MAY 4, 2016) –The Winston-Salem Symphony Youth Symphony and the Asheville Buncombe Youth Orchestra will take part in a collaborative weekend retreat May 13-15, 2016, at the Brevard Music Center in Brevard, North Carolina.