BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Winston-Salem Symphony - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Winston-Salem Symphony
X-ORIGINAL-URL:https://www.wssymphony.org
X-WR-CALDESC:Events for Winston-Salem Symphony
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20230312T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20231105T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20240310T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20241103T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260426T150000
DTEND;TZID=America/New_York:20260426T170000
DTSTAMP:20260503T135249
CREATED:20250529T190637Z
LAST-MODIFIED:20260416T203900Z
UID:10000142-1777215600-1777222800@www.wssymphony.org
SUMMARY:Storm Large
DESCRIPTION:Storm LargeThe Seven Deadly Sins\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nSat\, Apr 257:30 P \n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nSun\, Apr 263:00 P \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonyStorm Large VocalistHudson Shad Men’s Vocal QuartetMichelle Merrill Conductor \n\n\n\nAnna Clyne This Midnight Hour13 minBizet Excerpts from Carmen25 minIntermissionWeill The Seven Deadly Sins37 min \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\nBizet “March of the Toreadors” from CarmenWinston-Salem Symphony | Robert Moody ConductorSeptember 2016 \n\n\n\n\n\nFearless women. Unforgettable music. A composition that begins “a naked woman running mad through the pure night\,” sets the stage for a femme fatale evening. The story of Bizet’s temptress Carmen is told through a symphonic suite from the familiar opera. And the scandalously fabulous chanteuse Storm Large guides us through the seven deadly sins in song. \n\n\n\n\n\n\n\n\n\n\n\nNC Connection\n\n\n\nAn East Coast native but longtime West Coast resident (San Francisco\, Portland)\, Storm Large has recently put down roots in Asheville\, NC and has established herself in that amazing community and their thriving arts scene. #nosoundlikehome \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPre-Concert Talk\n\n\n\nSaturday at 6:30 PM | Sunday at 2:00 PM \n\n\n\nAll audience members are invited to join us in the Judy Voss Jones Fine Arts Center\, directly behind Reynolds Auditorium on its west side\, for a lively discussion about the music and surrounding context. Local musicologist Dr. Carol Reynolds is your guide—pre-concert talks are free to attend\, and occur one hour before any Classics Series concert. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSaturdayApr 257:30 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSundayApr 263:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nReynolds Auditorium301 N. Hawthorne Rd.Winston-Salem\, NC 27104 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nStorm Large\n\n\n\nStorm Large: musician\, actor\, playwright\, author\, awesome. She shot to national prominence in 2006 as a finalist on the CBS show Rock Star: Supernova\, where despite having been eliminated in the week before the finale\, Storm built a fan base that follows her around the world to this day. She was seen on the 2021 season of America’s Got Talent. \n\n\n\nStorm spent the 90s singing in clubs throughout San Francisco. Tired of the club scene\, she moved to Portland to pursue a new career as a chef\, but a last-minute cancellation in 2002 at the Portland club “Dante’s” turned into a standing Wednesday night engagement for Storm and her new band\, The Balls. It wasn’t long before Storm had a cult-like following in Portland\, and a renewed singing career that was soon to be launched onto the international stage. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nStorm’s 2021 performances on America’s Got Talent — especially this one\, of “I’ve Got You Under My Skin — left Simon\, Heidi\, and Howie floored. Rockstar\, yes … but also searingly intense as a classical artist\, too. You’ll love her in Weill’s The Seven Deadly Sins. \n\n\n\n\n\n\n\n\n\n\n\nStorm gives a fantastic and fun synopsis of Kurt Weill’s The Seven Deadly Sins in this promo for the Detroit Symphony Orchestra (where WSS music director Michelle Merrill served as associate conductor!) ahead of 2013 concerts in Detroit’s Symphony Hall and on tour in Carnegie Hall. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nHudson Shad\n\n\n\nHUDSON SHAD has a thriving relationship with some of the great conductors and symphony orchestras of the world. The Hudson Shad Quartet frequently performs Kurt Weill’s Die Sieben Todsunden (The Seven Deadly Sins). They have appeared with Kurt Masur and the New York Philharmonic\, Michael Tilson Thomas and the San Francisco Symphony alongside such distinguished singers as Marianne Faithfull and Julia Migenes in the role of Anna. Hudson Shad’s performance of Weill’s Mahagonny Songspiel with the St. Paul Chamber Orchestra was recorded broadcast on NPR in 1996.  \n\n\n\nHudson Shad was formed in 1992 to revive the artistry of the celebrated vocal ensemble “The Comedian Harmonists”\, who\, in the ’20s and ’30s\, brought to European audiences the sounds of American a capella singing. When Hudson Shad gave their German debut in the summer of 1995\, they were hailed as the first equal heirs to the Comedian Harmonists by national news magazine Der Stern. \n\n\n\nThe group’s repertoire is by no means limited to the Music of the Comedian Harmonists\, however. In their concerts they present American songs of the 20’s\, including the repertoire of The Revelers\, The Mills Brothers\, and The Paul Whiteman Orchestra. Furthermore\, their diversity includes evergreens from the 60’s like “Martha My Dear” and “The Lion Sleeps Tonight\,” as well as gospel songs and Schubert lieder. In January 1997 they were featured artists in Lincoln Center’s bicentennial Schubert celebration with Kurt Masur and the New York Philharmonic. In 1999\, Hudson Shad starred in Band in Berlin at the Helen Hayes Theater on Broadway.
URL:https://www.wssymphony.org/event/storm-large/2026-04-26/
LOCATION:Reynolds Auditorium\, 301 Hawthorne Rd. NW\, Winston-Salem\, NC\, 27104
CATEGORIES:Classics Series
ATTACH;FMTTYPE=image/webp:https://www.wssymphony.org/wp-content/uploads/2025/03/Storm-16x9_webp.webp
GEO:36.1011236;-80.2648333
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reynolds Auditorium 301 Hawthorne Rd. NW Winston-Salem NC 27104;X-APPLE-RADIUS=500;X-TITLE=301 Hawthorne Rd. NW:geo:-80.2648333,36.1011236
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260425T193000
DTEND;TZID=America/New_York:20260425T213000
DTSTAMP:20260503T135249
CREATED:20250529T190637Z
LAST-MODIFIED:20260416T203900Z
UID:10000141-1777145400-1777152600@www.wssymphony.org
SUMMARY:Storm Large
DESCRIPTION:Storm LargeThe Seven Deadly Sins\n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nSat\, Apr 257:30 P \n\n\n\n\n\n\n\n\n\n\n \n\n\n\n\n\n\nSun\, Apr 263:00 P \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonyStorm Large VocalistHudson Shad Men’s Vocal QuartetMichelle Merrill Conductor \n\n\n\nAnna Clyne This Midnight Hour13 minBizet Excerpts from Carmen25 minIntermissionWeill The Seven Deadly Sins37 min \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\nBizet “March of the Toreadors” from CarmenWinston-Salem Symphony | Robert Moody ConductorSeptember 2016 \n\n\n\n\n\nFearless women. Unforgettable music. A composition that begins “a naked woman running mad through the pure night\,” sets the stage for a femme fatale evening. The story of Bizet’s temptress Carmen is told through a symphonic suite from the familiar opera. And the scandalously fabulous chanteuse Storm Large guides us through the seven deadly sins in song. \n\n\n\n\n\n\n\n\n\n\n\nNC Connection\n\n\n\nAn East Coast native but longtime West Coast resident (San Francisco\, Portland)\, Storm Large has recently put down roots in Asheville\, NC and has established herself in that amazing community and their thriving arts scene. #nosoundlikehome \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPre-Concert Talk\n\n\n\nSaturday at 6:30 PM | Sunday at 2:00 PM \n\n\n\nAll audience members are invited to join us in the Judy Voss Jones Fine Arts Center\, directly behind Reynolds Auditorium on its west side\, for a lively discussion about the music and surrounding context. Local musicologist Dr. Carol Reynolds is your guide—pre-concert talks are free to attend\, and occur one hour before any Classics Series concert. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSaturdayApr 257:30 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSundayApr 263:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nReynolds Auditorium301 N. Hawthorne Rd.Winston-Salem\, NC 27104 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nStorm Large\n\n\n\nStorm Large: musician\, actor\, playwright\, author\, awesome. She shot to national prominence in 2006 as a finalist on the CBS show Rock Star: Supernova\, where despite having been eliminated in the week before the finale\, Storm built a fan base that follows her around the world to this day. She was seen on the 2021 season of America’s Got Talent. \n\n\n\nStorm spent the 90s singing in clubs throughout San Francisco. Tired of the club scene\, she moved to Portland to pursue a new career as a chef\, but a last-minute cancellation in 2002 at the Portland club “Dante’s” turned into a standing Wednesday night engagement for Storm and her new band\, The Balls. It wasn’t long before Storm had a cult-like following in Portland\, and a renewed singing career that was soon to be launched onto the international stage. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nStorm’s 2021 performances on America’s Got Talent — especially this one\, of “I’ve Got You Under My Skin — left Simon\, Heidi\, and Howie floored. Rockstar\, yes … but also searingly intense as a classical artist\, too. You’ll love her in Weill’s The Seven Deadly Sins. \n\n\n\n\n\n\n\n\n\n\n\nStorm gives a fantastic and fun synopsis of Kurt Weill’s The Seven Deadly Sins in this promo for the Detroit Symphony Orchestra (where WSS music director Michelle Merrill served as associate conductor!) ahead of 2013 concerts in Detroit’s Symphony Hall and on tour in Carnegie Hall. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nHudson Shad\n\n\n\nHUDSON SHAD has a thriving relationship with some of the great conductors and symphony orchestras of the world. The Hudson Shad Quartet frequently performs Kurt Weill’s Die Sieben Todsunden (The Seven Deadly Sins). They have appeared with Kurt Masur and the New York Philharmonic\, Michael Tilson Thomas and the San Francisco Symphony alongside such distinguished singers as Marianne Faithfull and Julia Migenes in the role of Anna. Hudson Shad’s performance of Weill’s Mahagonny Songspiel with the St. Paul Chamber Orchestra was recorded broadcast on NPR in 1996.  \n\n\n\nHudson Shad was formed in 1992 to revive the artistry of the celebrated vocal ensemble “The Comedian Harmonists”\, who\, in the ’20s and ’30s\, brought to European audiences the sounds of American a capella singing. When Hudson Shad gave their German debut in the summer of 1995\, they were hailed as the first equal heirs to the Comedian Harmonists by national news magazine Der Stern. \n\n\n\nThe group’s repertoire is by no means limited to the Music of the Comedian Harmonists\, however. In their concerts they present American songs of the 20’s\, including the repertoire of The Revelers\, The Mills Brothers\, and The Paul Whiteman Orchestra. Furthermore\, their diversity includes evergreens from the 60’s like “Martha My Dear” and “The Lion Sleeps Tonight\,” as well as gospel songs and Schubert lieder. In January 1997 they were featured artists in Lincoln Center’s bicentennial Schubert celebration with Kurt Masur and the New York Philharmonic. In 1999\, Hudson Shad starred in Band in Berlin at the Helen Hayes Theater on Broadway.
URL:https://www.wssymphony.org/event/storm-large/2026-04-25/
LOCATION:Reynolds Auditorium\, 301 Hawthorne Rd. NW\, Winston-Salem\, NC\, 27104
CATEGORIES:Classics Series
ATTACH;FMTTYPE=image/webp:https://www.wssymphony.org/wp-content/uploads/2025/03/Storm-16x9_webp.webp
GEO:36.1011236;-80.2648333
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reynolds Auditorium 301 Hawthorne Rd. NW Winston-Salem NC 27104;X-APPLE-RADIUS=500;X-TITLE=301 Hawthorne Rd. NW:geo:-80.2648333,36.1011236
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260308T150000
DTEND;TZID=America/New_York:20260308T170000
DTSTAMP:20260503T135249
CREATED:20250529T190054Z
LAST-MODIFIED:20260304T214043Z
UID:10000138-1772982000-1772989200@www.wssymphony.org
SUMMARY:Beethoven + Borodin
DESCRIPTION:Beethoven + Borodinwith the Symphony Chorus\n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSaturdayMar 7\, 20267:30 PM \n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSundayMar 8\, 20263:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonyWinston-Salem Symphony ChorusKathryn Levy FluteMichelle Merrill ConductorChris Gilliam Chorus Director \n\n\n\nBeethoven Symphony No. 8  Program Notes \n\n\n\nGriffes Poem for flute and Orchestra  Program Notes \n\n\n\nQuinn Mason Princesa de la Luna  Program Notes \n\n\n\nBorodin Polovtsian Dances from Prince Igor  Program Notes \n\n\n\nThis program will be performed without intermission and is expected to last approximately 1 hour and 15 minutes. \n\n\n\nBeethoven’s firework Eighth Symphony and Borodin’s familiar and raucous Polovstian Dances (featuring the Symphony Chorus) bookend a concert with a quieter middle. Charles Griffes’s Poem features WSS principal flutist Kathryn Levy\, celebrating her 50th season with the orchestra; Quinn Mason’s recent Princesa de la Luna is a palette of colors and textures for a string orchestra with harp. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nIndividual Concert Sponsor:Dr. Patricia Willis \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSaturdayMar 77:30 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSundayMar 83:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPre-Concert Talk\n\n\n\nSaturday at 6:30 PM | Sunday at 2:00 PM \n\n\n\nAll audience members are invited to join us in the Chorus Rehearsal Room\, directly adjacent to Reynolds Auditorium on its north side\, for a lively discussion about the music and surrounding context. Local musicologist and WFU emeritus professor of music Dr. David Levy is your guide—pre-concert talks are free to attend\, and occur one hour before the concert. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nReynolds Auditorium301 N. Hawthorne Rd.Winston-Salem\, NC 27104 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nKathryn Levy Flute\n\n\n\nFlutist Kathryn Levy is a native of Salinas\, California.  She studied flute with Katherine Sorensen of San Jose\, Paul Renzi of San Francisco\, Roger Stevens at the Music Academy of the West in Santa Barbara\, Maurice Sharpe at the Aspen Music Festival and Joseph Mariano at the Eastman School of Music in Rochester\, New York where she earned both the BM and the Coveted Performer’s Certificate. In 1976\, Ms. Levy moved to Winston-Salem\, NC where she teaches in the Wake Forest University Department of Music. She has developed the flute choir and wind chamber music programs in addition to her studio teaching and has performed frequently in faculty chamber music concerts. \n\n\n\nMs. Levy is equally at home as an orchestral musician\, having served as a flutist in the New Orleans Philharmonic\, the Rochester Philharmonic and numerous summer festival orchestras. She currently holds the position of Principal Flute with the Winston-Salem Symphony and Piccoloist with the Chautauqua Symphony. \n\n\n\n\nRead more.
URL:https://www.wssymphony.org/event/beethoven-borodin/2026-03-08/
LOCATION:Reynolds Auditorium\, 301 Hawthorne Rd. NW\, Winston-Salem\, NC\, 27104
CATEGORIES:Classics Series,Symphony Chorus
ATTACH;FMTTYPE=image/jpeg:https://www.wssymphony.org/wp-content/uploads/2025/04/Titan_Homepage-1.jpg
GEO:36.1011236;-80.2648333
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reynolds Auditorium 301 Hawthorne Rd. NW Winston-Salem NC 27104;X-APPLE-RADIUS=500;X-TITLE=301 Hawthorne Rd. NW:geo:-80.2648333,36.1011236
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260307T193000
DTEND;TZID=America/New_York:20260307T213000
DTSTAMP:20260503T135249
CREATED:20250529T190054Z
LAST-MODIFIED:20260304T214043Z
UID:10000155-1772911800-1772919000@www.wssymphony.org
SUMMARY:Beethoven + Borodin
DESCRIPTION:Beethoven + Borodinwith the Symphony Chorus\n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSaturdayMar 7\, 20267:30 PM \n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSundayMar 8\, 20263:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonyWinston-Salem Symphony ChorusKathryn Levy FluteMichelle Merrill ConductorChris Gilliam Chorus Director \n\n\n\nBeethoven Symphony No. 8  Program Notes \n\n\n\nGriffes Poem for flute and Orchestra  Program Notes \n\n\n\nQuinn Mason Princesa de la Luna  Program Notes \n\n\n\nBorodin Polovtsian Dances from Prince Igor  Program Notes \n\n\n\nThis program will be performed without intermission and is expected to last approximately 1 hour and 15 minutes. \n\n\n\nBeethoven’s firework Eighth Symphony and Borodin’s familiar and raucous Polovstian Dances (featuring the Symphony Chorus) bookend a concert with a quieter middle. Charles Griffes’s Poem features WSS principal flutist Kathryn Levy\, celebrating her 50th season with the orchestra; Quinn Mason’s recent Princesa de la Luna is a palette of colors and textures for a string orchestra with harp. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nIndividual Concert Sponsor:Dr. Patricia Willis \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSaturdayMar 77:30 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSundayMar 83:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPre-Concert Talk\n\n\n\nSaturday at 6:30 PM | Sunday at 2:00 PM \n\n\n\nAll audience members are invited to join us in the Chorus Rehearsal Room\, directly adjacent to Reynolds Auditorium on its north side\, for a lively discussion about the music and surrounding context. Local musicologist and WFU emeritus professor of music Dr. David Levy is your guide—pre-concert talks are free to attend\, and occur one hour before the concert. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nReynolds Auditorium301 N. Hawthorne Rd.Winston-Salem\, NC 27104 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nKathryn Levy Flute\n\n\n\nFlutist Kathryn Levy is a native of Salinas\, California.  She studied flute with Katherine Sorensen of San Jose\, Paul Renzi of San Francisco\, Roger Stevens at the Music Academy of the West in Santa Barbara\, Maurice Sharpe at the Aspen Music Festival and Joseph Mariano at the Eastman School of Music in Rochester\, New York where she earned both the BM and the Coveted Performer’s Certificate. In 1976\, Ms. Levy moved to Winston-Salem\, NC where she teaches in the Wake Forest University Department of Music. She has developed the flute choir and wind chamber music programs in addition to her studio teaching and has performed frequently in faculty chamber music concerts. \n\n\n\nMs. Levy is equally at home as an orchestral musician\, having served as a flutist in the New Orleans Philharmonic\, the Rochester Philharmonic and numerous summer festival orchestras. She currently holds the position of Principal Flute with the Winston-Salem Symphony and Piccoloist with the Chautauqua Symphony. \n\n\n\n\nRead more.
URL:https://www.wssymphony.org/event/beethoven-borodin/2026-03-07/
LOCATION:Reynolds Auditorium\, 301 Hawthorne Rd. NW\, Winston-Salem\, NC\, 27104
CATEGORIES:Classics Series,Symphony Chorus
ATTACH;FMTTYPE=image/jpeg:https://www.wssymphony.org/wp-content/uploads/2025/04/Titan_Homepage-1.jpg
GEO:36.1011236;-80.2648333
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reynolds Auditorium 301 Hawthorne Rd. NW Winston-Salem NC 27104;X-APPLE-RADIUS=500;X-TITLE=301 Hawthorne Rd. NW:geo:-80.2648333,36.1011236
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260214T170000
DTEND;TZID=America/New_York:20260214T190000
DTSTAMP:20260503T135249
CREATED:20250825T162338Z
LAST-MODIFIED:20260209T175753Z
UID:10000134-1771088400-1771095600@www.wssymphony.org
SUMMARY:Be Mine
DESCRIPTION:Be MineA Valentine’s Playlist\n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSaturdayFeb 14\, 20265:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonyJodi Burns SopranoMichelle Merrill Conductor \n\n\n\n\n\n\n\n\n\n\n\nFeaturing cherished favorites for classical music lovers\, this Valentine’s Day\, early-evening concert will be the perfect start to a romantic night on the town. The intermission-free program will easily allow for a 7pm dinner—and best of all\, audience-favorite Jodi Burns stars! \n\n\n\n\n\n\n\n\n\nIndividual Concert Sponsors:Bill & Judy Watson \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRepertoire to include:Gershwin Crazy for You OvertureBernstein Selections from West Side Storyde Falla “Ritual Fire Dance” from El Amor BrujoMascagni Intermezzo from Cavalleria RusticanaDebussy/Calliet: Clair de LuneMahler Adagietto from Symphony No. 5Rodgers/Bennett: “Some Enchanted Evening” from South Pacific \n\n\n\n\nAdd a lovely treat to your evening by pre-ordering a rose or a small box of chocolates from Bo-Ty Walker Florist! Simply add to your ticket purchase. Items will be available for you at the door.Rose: $5 / Chocolates: $12Limited Availability \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSatFeb 145:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nReynolds Auditorium301 N. Hawthorn Rd.Winston-Salem\, NC 27104 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJodi Burns\, soprano\n\n\n\nJodi Burns has been described as singing with a “plush voice and rich expressivity”(The New York Times). In her appearance as Anna Sorenson in Kevin Puts’ Silent Night\, (Piedmont Opera)\, The Winston-Salem Journal notes\, “Burns dazzle[s] with her lustrous soprano and bright charisma. The production is elevated whenever she appears on stage.” Whether performing in intimate venues or on the opera stage\, she appeals to a rich and diverse audience. \n\n\n\n\nRead more.
URL:https://www.wssymphony.org/event/be-mine/
LOCATION:Reynolds Auditorium\, 301 Hawthorne Rd. NW\, Winston-Salem\, NC\, 27104
CATEGORIES:Classics Series,HOLIDAY25
ATTACH;FMTTYPE=image/jpeg:https://www.wssymphony.org/wp-content/uploads/2025/05/c1_audience-2160p.mp4.00_00_33_01.Still001.jpg
GEO:36.1011236;-80.2648333
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reynolds Auditorium 301 Hawthorne Rd. NW Winston-Salem NC 27104;X-APPLE-RADIUS=500;X-TITLE=301 Hawthorne Rd. NW:geo:-80.2648333,36.1011236
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251116T150000
DTEND;TZID=America/New_York:20251116T163000
DTSTAMP:20260503T135249
CREATED:20250529T181228Z
LAST-MODIFIED:20251105T154713Z
UID:10000125-1763305200-1763310600@www.wssymphony.org
SUMMARY:Mozart & Ravel
DESCRIPTION:Mozart & Ravelplus the Crouching Tiger Concerto\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSaturdayNov 15\, 20257:30 PM \n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSundayNov 16\, 20253:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonyChristine Lamprea CelloPaperhand Puppet ProjectMichelle Merrill Conductor \n\n\n\nMozart Overture to The Magic FluteTan Dun Crouching Tiger Cello ConcertoRavel Mother Goose (full ballet) \n\n\n\n\n\nSome of the best music tells a story. This concert features an overture from an opera\, a thrilling cello concerto distilled from a film score\, and a fairy tale ballet performed by the amazing\, larger-than-life puppets of Paperhand Puppet Project. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nIndividual Concert Sponsors:Ralph Womble & Ashley Edwards \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSat\, Nov 157:30 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSun\, Nov 163:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nReynolds Auditorium301 N. Hawthorne Rd.Winston-Salem\, NC 27104 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nChristine Lamprea Cello\n\n\n\n\n\n\n\nCHRISTINE LAMPREA\, Cellist and 2018 Sphinx Medal of Excellence Winner\, is an artist known for her emotionally committed and intense performances. Upon her Carnegie Hall debut as soloist in 2013\, she has since returned to Carnegie\, as well as performed with orchestras such Costa Rica National Symphony\, Detroit Symphony\, Houston Symphony\, National Symphony of Michoacan\, New Jersey Symphony\, San Antonio Symphony\, Santa Fe Pro Musica\, and toured with the Sphinx Virtuosi across the U.S. As a recitalist\, Ms. Lamprea has appeared on prestigious series at Illinois’ Krannert Center for the  Performing Arts\, Florida’s Kravis Center for the Performing Arts\, Pepperdine University\, the Los Angeles County Museum of Art\, and the Washington Performing Arts Society. In demand as a chamber musician\, she performs   regularly with the Jupiter Symphony Chamber Players\, and has performed with such musicians as Shmuel Ashkenasi\,   Sarah Chang\, Itzhak Perlman\, Roger Tapping\, and Carol Wincenc.                                           \n\n\n\nMs. Lamprea strives to expand her musical boundaries by exploring many genres of music and non-traditional   venues for performance and teaching. Her Songs of Colombia Suite includes arrangements of traditional South  American tunes for cello and piano or guitar\, and have been performed at the Colombian Embassy and Supreme Court of the United States for Justice Sonia Sotomayor. She has worked with members of Baroque ensemble Les Arts Florissants\, and studied sonatas with fortepiano with Audrey Axinn. She has premiered several works by composers of today. In recent years\, she commissioned cadenzas for the Haydn D Major Concerto by Jessie Montgomery\, and premiered Jeffrey Mumford’s cello concerto “of fields unfolding…echoing depths of resonant light” with the San Antonio Symphony. \n\n\n\nMs. Lamprea is on the cello faculty at the Longy School of Music of Bard College\, serves as substitute faculty at the Juilliard School\, and served as Lecturer of Cello at the Texas Christian University School of Music for the 2018-19 academic year. Ms. Lamprea has given masterclasses for the Vivac-e Festival\, Idyllwild Arts Academy\, Wintergreen Summer Music Festival\, among others. She has worked with Ecuadorian youth in the cities of Quito and Guayaquil\, as part of a residency between The Juilliard School and “Sinfonia Por La Vida\,” a social inclusion program modeled after Venezuela’s El Sistema program. Christine Lamprea is the recipient of a Paul and Daisy Soros Fellowship for New Americans\, which supported her studies at the New England Conservatory\, and a Sphinx MPower Artist Grant\, which supported her study with acclaimed cellist Matt Haimovitz. She studied with Bonnie Hampton at The Juilliard School and holds a Master’s degree from the New England Conservatory\, where she studied with Natasha Brofsky. Additional influences were Lynn Harrell\, Frans Helmerson\, and Philippe Muller. Previous teachers include Ken Freudigman and Ken Ishii.     \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPaperhand Puppet Project\n\n\n\nPaperhand Puppet Project’s mission is to create art that inspires connection. By practicing\, performing and teaching the art of puppetry\, we strive to nurture the best in humanity\, build creative culture\, and help celebrate and protect the natural world. \n\n\n\nOur vision is inspired by our love for the earth and its creatures (including humans). We will synthesize many art forms including\, but never limited to\, sculpting\, painting\, dance\, music\, improvisation\, costume design\, set design and theater. We are committed to creating multi-scaled and multi-disciplinary puppet performances that support this vision. \n\n\n\nWe will use this puppetry\, performance and creativity to undermine and eradicate greed\, hate and fear and promote justice\, equality and peace. We will work uncompromisingly to these ends. \n\n\n\nPaperhand Puppet Project is comprised of artists who share their energy\, creativity\, sweat\, smarts\, strength\, support and hold a belief in our vision and promote our mission. Community is the lifeblood of Paperhand. It makes our creations\, our performances and Paperhand Puppet Project’s existence possible.   \n\n\n\n\n\n\n\n\n\n\n\nYou May Also Like…\n\n\n\n\n\n\n\n\n\n\n\nBeethoven + Borodinwith the Symphony Chorus\n\n\n\nBeethoven’s firework 8th Symphony and Borodin’s familiar and raucous Polovstian Dances. \n\n\n\n\nMar 7 & 8\n\n\n\n\n\n\n\n\nCopland’s Fanfareplus music of Conor Brown & Dan Locklair\n\n\n\nA program of music by American composers both fresh and familiar folds our 25/26 season. \n\n\n\n\nMay 30 & 31
URL:https://www.wssymphony.org/event/mozart-ravel/2025-11-16/
LOCATION:Reynolds Auditorium\, 301 Hawthorne Rd. NW\, Winston-Salem\, NC\, 27104
CATEGORIES:Classics Series,Family Concerts
ATTACH;FMTTYPE=image/webp:https://www.wssymphony.org/wp-content/uploads/2025/05/MozartRavelPaperhand.webp
GEO:36.1011236;-80.2648333
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reynolds Auditorium 301 Hawthorne Rd. NW Winston-Salem NC 27104;X-APPLE-RADIUS=500;X-TITLE=301 Hawthorne Rd. NW:geo:-80.2648333,36.1011236
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251115T193000
DTEND;TZID=America/New_York:20251115T220000
DTSTAMP:20260503T135249
CREATED:20250529T181228Z
LAST-MODIFIED:20251105T154713Z
UID:10000124-1763235000-1763244000@www.wssymphony.org
SUMMARY:Mozart & Ravel
DESCRIPTION:Mozart & Ravelplus the Crouching Tiger Concerto\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSaturdayNov 15\, 20257:30 PM \n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSundayNov 16\, 20253:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonyChristine Lamprea CelloPaperhand Puppet ProjectMichelle Merrill Conductor \n\n\n\nMozart Overture to The Magic FluteTan Dun Crouching Tiger Cello ConcertoRavel Mother Goose (full ballet) \n\n\n\n\n\nSome of the best music tells a story. This concert features an overture from an opera\, a thrilling cello concerto distilled from a film score\, and a fairy tale ballet performed by the amazing\, larger-than-life puppets of Paperhand Puppet Project. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nIndividual Concert Sponsors:Ralph Womble & Ashley Edwards \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSat\, Nov 157:30 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSun\, Nov 163:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nReynolds Auditorium301 N. Hawthorne Rd.Winston-Salem\, NC 27104 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nChristine Lamprea Cello\n\n\n\n\n\n\n\nCHRISTINE LAMPREA\, Cellist and 2018 Sphinx Medal of Excellence Winner\, is an artist known for her emotionally committed and intense performances. Upon her Carnegie Hall debut as soloist in 2013\, she has since returned to Carnegie\, as well as performed with orchestras such Costa Rica National Symphony\, Detroit Symphony\, Houston Symphony\, National Symphony of Michoacan\, New Jersey Symphony\, San Antonio Symphony\, Santa Fe Pro Musica\, and toured with the Sphinx Virtuosi across the U.S. As a recitalist\, Ms. Lamprea has appeared on prestigious series at Illinois’ Krannert Center for the  Performing Arts\, Florida’s Kravis Center for the Performing Arts\, Pepperdine University\, the Los Angeles County Museum of Art\, and the Washington Performing Arts Society. In demand as a chamber musician\, she performs   regularly with the Jupiter Symphony Chamber Players\, and has performed with such musicians as Shmuel Ashkenasi\,   Sarah Chang\, Itzhak Perlman\, Roger Tapping\, and Carol Wincenc.                                           \n\n\n\nMs. Lamprea strives to expand her musical boundaries by exploring many genres of music and non-traditional   venues for performance and teaching. Her Songs of Colombia Suite includes arrangements of traditional South  American tunes for cello and piano or guitar\, and have been performed at the Colombian Embassy and Supreme Court of the United States for Justice Sonia Sotomayor. She has worked with members of Baroque ensemble Les Arts Florissants\, and studied sonatas with fortepiano with Audrey Axinn. She has premiered several works by composers of today. In recent years\, she commissioned cadenzas for the Haydn D Major Concerto by Jessie Montgomery\, and premiered Jeffrey Mumford’s cello concerto “of fields unfolding…echoing depths of resonant light” with the San Antonio Symphony. \n\n\n\nMs. Lamprea is on the cello faculty at the Longy School of Music of Bard College\, serves as substitute faculty at the Juilliard School\, and served as Lecturer of Cello at the Texas Christian University School of Music for the 2018-19 academic year. Ms. Lamprea has given masterclasses for the Vivac-e Festival\, Idyllwild Arts Academy\, Wintergreen Summer Music Festival\, among others. She has worked with Ecuadorian youth in the cities of Quito and Guayaquil\, as part of a residency between The Juilliard School and “Sinfonia Por La Vida\,” a social inclusion program modeled after Venezuela’s El Sistema program. Christine Lamprea is the recipient of a Paul and Daisy Soros Fellowship for New Americans\, which supported her studies at the New England Conservatory\, and a Sphinx MPower Artist Grant\, which supported her study with acclaimed cellist Matt Haimovitz. She studied with Bonnie Hampton at The Juilliard School and holds a Master’s degree from the New England Conservatory\, where she studied with Natasha Brofsky. Additional influences were Lynn Harrell\, Frans Helmerson\, and Philippe Muller. Previous teachers include Ken Freudigman and Ken Ishii.     \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPaperhand Puppet Project\n\n\n\nPaperhand Puppet Project’s mission is to create art that inspires connection. By practicing\, performing and teaching the art of puppetry\, we strive to nurture the best in humanity\, build creative culture\, and help celebrate and protect the natural world. \n\n\n\nOur vision is inspired by our love for the earth and its creatures (including humans). We will synthesize many art forms including\, but never limited to\, sculpting\, painting\, dance\, music\, improvisation\, costume design\, set design and theater. We are committed to creating multi-scaled and multi-disciplinary puppet performances that support this vision. \n\n\n\nWe will use this puppetry\, performance and creativity to undermine and eradicate greed\, hate and fear and promote justice\, equality and peace. We will work uncompromisingly to these ends. \n\n\n\nPaperhand Puppet Project is comprised of artists who share their energy\, creativity\, sweat\, smarts\, strength\, support and hold a belief in our vision and promote our mission. Community is the lifeblood of Paperhand. It makes our creations\, our performances and Paperhand Puppet Project’s existence possible.   \n\n\n\n\n\n\n\n\n\n\n\nYou May Also Like…\n\n\n\n\n\n\n\n\n\n\n\nBeethoven + Borodinwith the Symphony Chorus\n\n\n\nBeethoven’s firework 8th Symphony and Borodin’s familiar and raucous Polovstian Dances. \n\n\n\n\nMar 7 & 8\n\n\n\n\n\n\n\n\nCopland’s Fanfareplus music of Conor Brown & Dan Locklair\n\n\n\nA program of music by American composers both fresh and familiar folds our 25/26 season. \n\n\n\n\nMay 30 & 31
URL:https://www.wssymphony.org/event/mozart-ravel/2025-11-15/
LOCATION:Reynolds Auditorium\, 301 Hawthorne Rd. NW\, Winston-Salem\, NC\, 27104
CATEGORIES:Classics Series,Family Concerts
ATTACH;FMTTYPE=image/webp:https://www.wssymphony.org/wp-content/uploads/2025/05/MozartRavelPaperhand.webp
GEO:36.1011236;-80.2648333
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reynolds Auditorium 301 Hawthorne Rd. NW Winston-Salem NC 27104;X-APPLE-RADIUS=500;X-TITLE=301 Hawthorne Rd. NW:geo:-80.2648333,36.1011236
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250921T150000
DTEND;TZID=America/New_York:20250921T173000
DTSTAMP:20260503T135249
CREATED:20250529T153555Z
LAST-MODIFIED:20250826T173038Z
UID:10000152-1758466800-1758475800@www.wssymphony.org
SUMMARY:Marsalis + Tchaikovsky
DESCRIPTION:Marsalis + Tchaikovskyplus the William Tell Overture\n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSaturdaySep 20\, 20257:30 PM \n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSundaySep 21\, 20253:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonyKelly Hall-Tompkins ViolinMichelle Merrill Conductor \n\n\n\nRossini William Tell OvertureWynton Marsalis Violin ConcertoTchaikovsky Symphony No. 5 \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\nTchaikovsky Symphony No. 5Winston-Salem Symphony | Matthew Troy ConductorNovember 2014 \n\n\n\n\n\nThere’s so much more to the William Tell Overture than just the familiar “Lone Ranger” theme. A beautiful cello section solo and a threatening storm scene lead to the fanfare tune we all know and love from TV. Wynton Marsalis’s recent violin concerto blends soulful and intense virtuosity with jazzy New Orleans romp\, and Tchaikovsky’s Fifth will take you on a journey from resigning to fate to the tender melody of a solo French horn\, a lively waltz\, and ultimate triumph. \n\n\n\n\n\n\n\n\n\n\n\nNC Connection\n\n\n\nJazz trumpeter\, bandleader\, National Medal of Arts laureate\, and Pulitzer Prize-winning composer Wynton Marsalis spent two formative summers as a teenager in the student program at Greensboro’s Eastern Music Festival. Since then\, he has returned numerous times as a guest performer and master teacher. #nosoundlikehome \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPre-Concert Talk\n\n\n\nSaturday at 6:30 PM | Sunday at 2:00 PM \n\n\n\nAll audience members are invited to join us in the Judy Voss Jones Fine Arts Center\, directly behind Reynolds Auditorium on its west side\, for a lively discussion about the music and surrounding context. Local musicologist Dr. David Levy is your guide—pre-concert talks are free to attend\, and occur one hour before any Classics Series concert. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSaturdaySep 207:30 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSundaySep 213:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nKelly Hall-Tompkins\n\n\n\nWinner of a Naumburg International Violin Competition Honorarium Prize and featured in the Smithsonian Museum for African-American History\, Ms. Hall-Tompkins is a violin soloist entrepreneur who has been acclaimed by The New York Times as “the versatile violinist who makes the music come alive\,” for her “tonal mastery” (BBC Music Magazine) and as The New York Times “New Yorker of the Year.” \n\n\n\nShe has appeared as co-soloist in Carnegie Hall with Glenn Dicterow and conductor Leonard Slatkin\, in London at Queen Elizabeth Hall\, at Lincoln Center and with the Symphonies of Dallas\, Jacksonville\, Oakland\, recitals in Paris\, New York\, Toronto\, Washington\, Chicago\, and festivals of Tanglewood\, Ravinia\, Santa Fe\, France\, Germany and Italy. She was “Fiddler”/Violin Soloist of the Grammy/Tony-nominated Broadway production of Fiddler on the Roof.  Inspired by her experience\, she commissioned and developed the first ever Fiddler solo disc of all new arrangements\, “The Fiddler Expanding Tradition\,” which is featured in the new documentary “Fiddler: A Miracle of Miracles” on the 55-year history of the musical.  \n\n\n\nAs founder of Music Kitchen–Food for the Soul\, Kelly Hall-Tompkins is a pioneer of social justice in classical music\, bringing top artists in over 100 concerts coast to coast in homeless shelters from New York to Los Angeles and in internationally in Paris\, France.  Music Kitchen made its Carnegie Hall debut to present the Forgotten Voices song cycle on May 21\, 2020 in Association with Carnegie Hall. \n\n\n\n\n\n\n\n\n\nView Kelly’s promotional video for her tour of the Wynton Marsalis Violin Concerto\, which happens to include a cameo appearance or two by our own former music director\, Robert Moody! Kelly has performed this work with orchestras across the US and at Switzerland’s famed Lucerne Festival with the Chineke! Orchestra. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nReynolds Auditorium301 N. Hawthorne Rd.Winston-Salem\, NC 27104 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nYou May Also Like…\n\n\n\n\n\n\n\n\n\n\nMozart & Ravelplus the Crouching Tiger Concerto\n\n\n\nPaperhand Puppet Theatre brings their GIANT puppets to the stage for Ravel’s Mother Goose ballet suite; Christine Lamprea shines in a cello concerto by Tan Dun while Mozart’s “Magic Flute” sets the scene.  \n\n\n\n\nNov 15 & 16\n\n\n\n\n\n\n\n\nThe Music ofFLEETWOOD MAC\n\n\n\nThe WSS\, guest vocalists\, and the fan-favorite Jeans ‘n Classics band come together to celebrate the supergroup’s decades of hits. \n\n\n\n\nApr 6\, 2024
URL:https://www.wssymphony.org/event/marsalis-tchaikovsky/2025-09-21/
LOCATION:Reynolds Auditorium\, 301 Hawthorne Rd. NW\, Winston-Salem\, NC\, 27104
CATEGORIES:Classics Series
ATTACH;FMTTYPE=image/webp:https://www.wssymphony.org/wp-content/uploads/2025/05/vert-orange-green-16x9-1.webp
GEO:36.1011236;-80.2648333
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reynolds Auditorium 301 Hawthorne Rd. NW Winston-Salem NC 27104;X-APPLE-RADIUS=500;X-TITLE=301 Hawthorne Rd. NW:geo:-80.2648333,36.1011236
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250920T193000
DTEND;TZID=America/New_York:20250920T220000
DTSTAMP:20260503T135249
CREATED:20250529T153555Z
LAST-MODIFIED:20250826T173038Z
UID:10000119-1758396600-1758405600@www.wssymphony.org
SUMMARY:Marsalis + Tchaikovsky
DESCRIPTION:Marsalis + Tchaikovskyplus the William Tell Overture\n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSaturdaySep 20\, 20257:30 PM \n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSundaySep 21\, 20253:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonyKelly Hall-Tompkins ViolinMichelle Merrill Conductor \n\n\n\nRossini William Tell OvertureWynton Marsalis Violin ConcertoTchaikovsky Symphony No. 5 \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\nTchaikovsky Symphony No. 5Winston-Salem Symphony | Matthew Troy ConductorNovember 2014 \n\n\n\n\n\nThere’s so much more to the William Tell Overture than just the familiar “Lone Ranger” theme. A beautiful cello section solo and a threatening storm scene lead to the fanfare tune we all know and love from TV. Wynton Marsalis’s recent violin concerto blends soulful and intense virtuosity with jazzy New Orleans romp\, and Tchaikovsky’s Fifth will take you on a journey from resigning to fate to the tender melody of a solo French horn\, a lively waltz\, and ultimate triumph. \n\n\n\n\n\n\n\n\n\n\n\nNC Connection\n\n\n\nJazz trumpeter\, bandleader\, National Medal of Arts laureate\, and Pulitzer Prize-winning composer Wynton Marsalis spent two formative summers as a teenager in the student program at Greensboro’s Eastern Music Festival. Since then\, he has returned numerous times as a guest performer and master teacher. #nosoundlikehome \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPre-Concert Talk\n\n\n\nSaturday at 6:30 PM | Sunday at 2:00 PM \n\n\n\nAll audience members are invited to join us in the Judy Voss Jones Fine Arts Center\, directly behind Reynolds Auditorium on its west side\, for a lively discussion about the music and surrounding context. Local musicologist Dr. David Levy is your guide—pre-concert talks are free to attend\, and occur one hour before any Classics Series concert. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSaturdaySep 207:30 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSundaySep 213:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nKelly Hall-Tompkins\n\n\n\nWinner of a Naumburg International Violin Competition Honorarium Prize and featured in the Smithsonian Museum for African-American History\, Ms. Hall-Tompkins is a violin soloist entrepreneur who has been acclaimed by The New York Times as “the versatile violinist who makes the music come alive\,” for her “tonal mastery” (BBC Music Magazine) and as The New York Times “New Yorker of the Year.” \n\n\n\nShe has appeared as co-soloist in Carnegie Hall with Glenn Dicterow and conductor Leonard Slatkin\, in London at Queen Elizabeth Hall\, at Lincoln Center and with the Symphonies of Dallas\, Jacksonville\, Oakland\, recitals in Paris\, New York\, Toronto\, Washington\, Chicago\, and festivals of Tanglewood\, Ravinia\, Santa Fe\, France\, Germany and Italy. She was “Fiddler”/Violin Soloist of the Grammy/Tony-nominated Broadway production of Fiddler on the Roof.  Inspired by her experience\, she commissioned and developed the first ever Fiddler solo disc of all new arrangements\, “The Fiddler Expanding Tradition\,” which is featured in the new documentary “Fiddler: A Miracle of Miracles” on the 55-year history of the musical.  \n\n\n\nAs founder of Music Kitchen–Food for the Soul\, Kelly Hall-Tompkins is a pioneer of social justice in classical music\, bringing top artists in over 100 concerts coast to coast in homeless shelters from New York to Los Angeles and in internationally in Paris\, France.  Music Kitchen made its Carnegie Hall debut to present the Forgotten Voices song cycle on May 21\, 2020 in Association with Carnegie Hall. \n\n\n\n\n\n\n\n\n\nView Kelly’s promotional video for her tour of the Wynton Marsalis Violin Concerto\, which happens to include a cameo appearance or two by our own former music director\, Robert Moody! Kelly has performed this work with orchestras across the US and at Switzerland’s famed Lucerne Festival with the Chineke! Orchestra. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nReynolds Auditorium301 N. Hawthorne Rd.Winston-Salem\, NC 27104 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nYou May Also Like…\n\n\n\n\n\n\n\n\n\n\nMozart & Ravelplus the Crouching Tiger Concerto\n\n\n\nPaperhand Puppet Theatre brings their GIANT puppets to the stage for Ravel’s Mother Goose ballet suite; Christine Lamprea shines in a cello concerto by Tan Dun while Mozart’s “Magic Flute” sets the scene.  \n\n\n\n\nNov 15 & 16\n\n\n\n\n\n\n\n\nThe Music ofFLEETWOOD MAC\n\n\n\nThe WSS\, guest vocalists\, and the fan-favorite Jeans ‘n Classics band come together to celebrate the supergroup’s decades of hits. \n\n\n\n\nApr 6\, 2024
URL:https://www.wssymphony.org/event/marsalis-tchaikovsky/2025-09-20/
LOCATION:Reynolds Auditorium\, 301 Hawthorne Rd. NW\, Winston-Salem\, NC\, 27104
CATEGORIES:Classics Series
ATTACH;FMTTYPE=image/webp:https://www.wssymphony.org/wp-content/uploads/2025/05/vert-orange-green-16x9-1.webp
GEO:36.1011236;-80.2648333
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reynolds Auditorium 301 Hawthorne Rd. NW Winston-Salem NC 27104;X-APPLE-RADIUS=500;X-TITLE=301 Hawthorne Rd. NW:geo:-80.2648333,36.1011236
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250427T150000
DTEND;TZID=America/New_York:20250427T173000
DTSTAMP:20260503T135249
CREATED:20240729T195548Z
LAST-MODIFIED:20250424T140322Z
UID:10000097-1745766000-1745775000@www.wssymphony.org
SUMMARY:Verdi's Requiem
DESCRIPTION:Verdi’s Requiem\n\n\n\nLarge orchestra and chorus | Powerful drama \n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSaturdayApril 26\, 20257:30 PM \n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSundayApril 27\, 20253:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonyWinston-Salem Symphony ChorusOthalie Graham SopranoRaehann Bryce-Davis Mezzo SopranoCooper Nolan TenorBill McMurray BassMichelle Merrill ConductorChris Gilliam Chorus Director \n\n\n\nGiuseppe VerdiRequiem \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\n\n\nRenowned for its dramatic intensity and profound emotional depth\, Verdi’s concert-stage masterpiece will be brought to life by a symphony orchestra\, chorus\, and a quartet of soloists whose voices will soar through the hall. \n\n\n\nFrom the powerful and haunting “Dies irae” to the tender “Agnus dei\,” each movement unfolds with gripping fervor\, showcasing Verdi’s unparalleled ability to blend grandeur with intimacy. Join us for a performance that will resonate long after the final note\, as we embark on a journey through the depths of human emotion and spiritual contemplation with Verdi’s Requiem. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPre-Concert Talk\n\n\n\nSaturday at 6:30 PM | Sunday at 2:00 PM \n\n\n\nAll audience members are invited to join us in Room 302 of Wait Chapel\, accessed from the north atrium of the building\, for a lively discussion about the music and surrounding context. Musicologist Dr. David Levy is your guide—pre-concert talks are free to attend\, and occur one hour before any Classics Series concert. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSaturdayApr 267:30 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSundayApr 273:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nOthalie Graham\, soprano\n\n\n\nCanadian-American soprano Othalie Graham continues to receive critical acclaim throughout North America and is widely known for her interpretations of the title roles in Turandot and Aida and her commitment to Wagnerian repertoire. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRaehann Bryce-Davis\, mezzo-soprano\n\n\n\nRaehann Bryce-Davis has been hailed by The New York Times as a “striking mezzo soprano” and by the San Francisco Chronicle for her “electrifying sense of fearlessness.” \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCooper Nolan\, tenor\n\n\n\nTenor Cooper Nolan\, praised for his “bright\, shining\, tenor” (Musical America) and his “powerhouse voice” (Opera News)\, is increasingly making a name for himself as an important interpreter of some of opera’s most demanding tenor roles. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nBill McMurray\, baritone\n\n\n\nWith more than forty operatic roles to his credit\, Bill McMurray has been described as “A baritone with warm\, rich tones and superb stage presence” by the Durham Herald Sun. Roles to his credit include Figaro (Il Barbiere di Siviglia)\, Marcello (La bohème)\, Dulcamara (L’elisir d’amore)\, Count Almaviva (Le nozze di Figaro)\, and Escamillo (Carmen).  \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMichelle Merrill\, conductor\n\n\n\nWSS Music Director Michelle Merrill served four years as the Assistant and then Associate Conductor of the Detroit Symphony Orchestra and also serves as the Music Director of the Coastal Symphony of Georgia\, where she has ignited the growth and expansion of the orchestra’s offerings both on and off the stage.  Ms. Merrill is a proud recipient of a 2016 Solti Foundation U.S. Career Assistance Award as well as the prestigious 2013 Ansbacher Conducting Fellowship as awarded by members of the Vienna Philharmonic and the American Austrian Foundation\, which enabled her to be in residence at the world-renowned Salzburg Festival. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nChris Gilliam\, chorus director\n\n\n\nA conductor praised for his “precision and clarity\,” and performances hailed as “enlightened\,” Chris Gilliam is the Director of Choral Activities at Wake Forest University\, director of the Winston-Salem Symphony Chorus\, the artistic director and conductor for the Winston-Salem Choral Artists\, and Director of Music at Highland Presbyterian Church in Winston-Salem. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nWait ChapelWake Forest University2625 Wake Forest Rd.Winston-Salem\, NC 27106 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRelated Events\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMusic Lovers’ Luncheon\n\n\n\nFriday\, Apr 25 at NoonForsyth Country Club3101 Country Club Rd.\, Winston-Salem \n\n\n\nEnjoy lunch with a side of interesting conversation! Michelle Merrill discusses Verdi’s Requiem with the work’s soloists: Othalie Graham\, Raehann Bryce-Davis\, Cooper Nolan\, and Daniel Rich . \n\n\n\n\n Buy\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSymphony by the Glass\n\n\n\nThursday\, Apr 24 at 5pmThe Caviste1100 Reynolda Rd \n\n\n\nStop by for an afterwork glass from a selection of wines specifically paired to this week’s program! Enjoy music by WSS musicians and casual conversation with other Symphony goers. The event is free to attend; wines are available for purchase.
URL:https://www.wssymphony.org/event/verdis-requiem/2025-04-27/
LOCATION:Wait Chapel\, 2625 Wake Forest Rd.\, Winston-Salem\, NC\, 27106
CATEGORIES:Classics Series,Symphony Chorus
ATTACH;FMTTYPE=image/webp:https://www.wssymphony.org/wp-content/uploads/2024/07/012_20240414-DSC06179-HDR_JFarleyPhotography_EDIT.webp
GEO:36.1353994;-80.2797555
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wait Chapel 2625 Wake Forest Rd. Winston-Salem NC 27106;X-APPLE-RADIUS=500;X-TITLE=2625 Wake Forest Rd.:geo:-80.2797555,36.1353994
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250426T193000
DTEND;TZID=America/New_York:20250426T220000
DTSTAMP:20260503T135249
CREATED:20240729T195548Z
LAST-MODIFIED:20250424T140322Z
UID:10000090-1745695800-1745704800@www.wssymphony.org
SUMMARY:Verdi's Requiem
DESCRIPTION:Verdi’s Requiem\n\n\n\nLarge orchestra and chorus | Powerful drama \n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSaturdayApril 26\, 20257:30 PM \n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSundayApril 27\, 20253:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonyWinston-Salem Symphony ChorusOthalie Graham SopranoRaehann Bryce-Davis Mezzo SopranoCooper Nolan TenorBill McMurray BassMichelle Merrill ConductorChris Gilliam Chorus Director \n\n\n\nGiuseppe VerdiRequiem \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\n\n\nRenowned for its dramatic intensity and profound emotional depth\, Verdi’s concert-stage masterpiece will be brought to life by a symphony orchestra\, chorus\, and a quartet of soloists whose voices will soar through the hall. \n\n\n\nFrom the powerful and haunting “Dies irae” to the tender “Agnus dei\,” each movement unfolds with gripping fervor\, showcasing Verdi’s unparalleled ability to blend grandeur with intimacy. Join us for a performance that will resonate long after the final note\, as we embark on a journey through the depths of human emotion and spiritual contemplation with Verdi’s Requiem. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPre-Concert Talk\n\n\n\nSaturday at 6:30 PM | Sunday at 2:00 PM \n\n\n\nAll audience members are invited to join us in Room 302 of Wait Chapel\, accessed from the north atrium of the building\, for a lively discussion about the music and surrounding context. Musicologist Dr. David Levy is your guide—pre-concert talks are free to attend\, and occur one hour before any Classics Series concert. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSaturdayApr 267:30 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSundayApr 273:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nOthalie Graham\, soprano\n\n\n\nCanadian-American soprano Othalie Graham continues to receive critical acclaim throughout North America and is widely known for her interpretations of the title roles in Turandot and Aida and her commitment to Wagnerian repertoire. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRaehann Bryce-Davis\, mezzo-soprano\n\n\n\nRaehann Bryce-Davis has been hailed by The New York Times as a “striking mezzo soprano” and by the San Francisco Chronicle for her “electrifying sense of fearlessness.” \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCooper Nolan\, tenor\n\n\n\nTenor Cooper Nolan\, praised for his “bright\, shining\, tenor” (Musical America) and his “powerhouse voice” (Opera News)\, is increasingly making a name for himself as an important interpreter of some of opera’s most demanding tenor roles. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nBill McMurray\, baritone\n\n\n\nWith more than forty operatic roles to his credit\, Bill McMurray has been described as “A baritone with warm\, rich tones and superb stage presence” by the Durham Herald Sun. Roles to his credit include Figaro (Il Barbiere di Siviglia)\, Marcello (La bohème)\, Dulcamara (L’elisir d’amore)\, Count Almaviva (Le nozze di Figaro)\, and Escamillo (Carmen).  \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMichelle Merrill\, conductor\n\n\n\nWSS Music Director Michelle Merrill served four years as the Assistant and then Associate Conductor of the Detroit Symphony Orchestra and also serves as the Music Director of the Coastal Symphony of Georgia\, where she has ignited the growth and expansion of the orchestra’s offerings both on and off the stage.  Ms. Merrill is a proud recipient of a 2016 Solti Foundation U.S. Career Assistance Award as well as the prestigious 2013 Ansbacher Conducting Fellowship as awarded by members of the Vienna Philharmonic and the American Austrian Foundation\, which enabled her to be in residence at the world-renowned Salzburg Festival. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nChris Gilliam\, chorus director\n\n\n\nA conductor praised for his “precision and clarity\,” and performances hailed as “enlightened\,” Chris Gilliam is the Director of Choral Activities at Wake Forest University\, director of the Winston-Salem Symphony Chorus\, the artistic director and conductor for the Winston-Salem Choral Artists\, and Director of Music at Highland Presbyterian Church in Winston-Salem. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nWait ChapelWake Forest University2625 Wake Forest Rd.Winston-Salem\, NC 27106 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRelated Events\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMusic Lovers’ Luncheon\n\n\n\nFriday\, Apr 25 at NoonForsyth Country Club3101 Country Club Rd.\, Winston-Salem \n\n\n\nEnjoy lunch with a side of interesting conversation! Michelle Merrill discusses Verdi’s Requiem with the work’s soloists: Othalie Graham\, Raehann Bryce-Davis\, Cooper Nolan\, and Daniel Rich . \n\n\n\n\n Buy\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSymphony by the Glass\n\n\n\nThursday\, Apr 24 at 5pmThe Caviste1100 Reynolda Rd \n\n\n\nStop by for an afterwork glass from a selection of wines specifically paired to this week’s program! Enjoy music by WSS musicians and casual conversation with other Symphony goers. The event is free to attend; wines are available for purchase.
URL:https://www.wssymphony.org/event/verdis-requiem/2025-04-26/
LOCATION:Wait Chapel\, 2625 Wake Forest Rd.\, Winston-Salem\, NC\, 27106
CATEGORIES:Classics Series,Symphony Chorus
ATTACH;FMTTYPE=image/webp:https://www.wssymphony.org/wp-content/uploads/2024/07/012_20240414-DSC06179-HDR_JFarleyPhotography_EDIT.webp
GEO:36.1353994;-80.2797555
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Wait Chapel 2625 Wake Forest Rd. Winston-Salem NC 27106;X-APPLE-RADIUS=500;X-TITLE=2625 Wake Forest Rd.:geo:-80.2797555,36.1353994
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250309T150000
DTEND;TZID=America/New_York:20250309T173000
DTSTAMP:20260503T135249
CREATED:20240729T195651Z
LAST-MODIFIED:20250225T013049Z
UID:10000087-1741532400-1741541400@www.wssymphony.org
SUMMARY:A Chamber Serenade
DESCRIPTION:Britten &Mozart\n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSaturdayMar 8\, 20255:00 PM  \n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSundayMar 9\, 20253:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonyKarim Sulayman TenorChristopher Caudill HornMichelle Merrill Conductor \n\n\n\nArvo PärtCantus in memoriam Benjamin Britten \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes  \n\n\n\n\n\nBenjamin BrittenSerenade for Tenor\, Horn\, and Strings \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\nW.A. MozartSymphony No. 41\, K551  “Jupiter” \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\n\n\nEstonian composer Arvo Pärt’s Cantus unfolds with haunting simplicity and profound solemnity\, paying homage to Benjamin Britten’s legacy and musical influence. Britten’s Serenade\, a masterpiece for smaller orchestra\, weaves together tenor and horn solos with ethereal string textures\, exploring themes of night\, nature\, and human existence. Mozart’s final symphony crowns the evening with its exuberant energy and brilliance. Join us for an unforgettable concert experience that traverses the depths of contemplation\, beauty\, and musical mastery across centuries and styles. \n\n\n\nPlease note:The Saturday evening\, Mar 8 performance is at 5:00 PM. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSaturdayMar 85:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSundayMar 93:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPre-Concert Talk\n\n\n\nSaturday at 4:00 PM | Sunday at 2:00 PM \n\n\n\nAll audience members are invited to join us in Centenary Church Dining Room\, directly off the 4½ Street lobby\, for a lively discussion about the music and surrounding context. Musicologist and Wake Forest University professor emeritus Dr. David Levy is your guide—pre-concert talks are free to attend\, and occur one hour before any classically-inspired concert. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nKarim Sulayman\, tenor\n\n\n\nLebanese-American tenor Karim Sulayman has garnered international attention as a sophisticated and versatile artist\, praised for his “lucid\, velvety tenor and pop-star charisma” (BBC Music Magazine). The 2019 Best Classical Solo Vocal GRAMMY® Award winner\, he continues to earn acclaim for his original and innovative programming and recording projects\, while regularly performing on the world’s stages in opera\, orchestral concerts\, recital and chamber music. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nChristopher Caudill\, horn\n\n\n\nChristopher Caudill began playing the horn at age ten while living in London\, England\, with his \nfamily. Piano and violin lessons had failed to do the trick\, but a London Symphony concert at the \nBarbican with famous soloist Barry Tuckwell made him fall in love with the horn. He is a graduate \nof Northwestern University\, where he earned a B.A. in European History before studying horn \nwith the Chicago Symphony’s former Principal Horn\, Dale Clevenger. He was a member of the \nCivic Orchestra of Chicago\, and the New World Symphony in Miami where he met his horn duet \npartner\, Rachel Niketopoulos. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMichelle Merrill\, conductor\n\n\n\nWSS Music Director Michelle Merrill served four years as the Assistant and then Associate Conductor of the Detroit Symphony Orchestra and also serves as the Music Director of the Coastal Symphony of Georgia\, where she has ignited the growth and expansion of the orchestra’s offerings both on and off the stage.  Ms. Merrill is a proud recipient of a 2016 Solti Foundation U.S. Career Assistance Award as well as the prestigious 2013 Ansbacher Conducting Fellowship as awarded by members of the Vienna Philharmonic and the American Austrian Foundation\, which enabled her to be in residence at the world-renowned Salzburg Festival. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nCentenary United Methodist Church646 W. Fifth St.Winston-Salem\, NC 27101 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRelated Events\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMusic Lovers’ Luncheon\n\n\n\nFriday\, Mar 7 at NoonForsyth Country Club3101 Country Club Rd.\, Winston-Salem \n\n\n\nEnjoy lunch with a side of interesting conversation! Michelle Merrill\, Karim Sulayman\, and Christopher Caudill talk about the work of Arvo Pärt\, Benjamin Britten\, and Mozart. \n\n\n\n\n Buy\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSymphony by the Glass\n\n\n\nThursday\, Mar 6 at 5pmThe Caviste1100 Reynolda Rd \n\n\n\nStop by for an afterwork glass from a selection of wines specifically paired to this week’s program! Enjoy music by WSS musicians and casual conversation with other Symphony goers. The event is free to attend; wines are available for purchase.
URL:https://www.wssymphony.org/event/a-chamber-serenade/2025-03-09/
LOCATION:Centenary United Methodist Church\, 646 W. 5th St.\, Winston-Salem\, NC\, United States
CATEGORIES:Classics Series
ATTACH;FMTTYPE=image/webp:https://www.wssymphony.org/wp-content/uploads/2024/04/047_20220424-DSC07289_JFarleyPhotography-copy.webp
GEO:36.0985935;-80.2508964
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Centenary United Methodist Church 646 W. 5th St. Winston-Salem NC United States;X-APPLE-RADIUS=500;X-TITLE=646 W. 5th St.:geo:-80.2508964,36.0985935
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250308T170000
DTEND;TZID=America/New_York:20250308T190000
DTSTAMP:20260503T135249
CREATED:20240729T195651Z
LAST-MODIFIED:20250225T013049Z
UID:10000086-1741453200-1741460400@www.wssymphony.org
SUMMARY:A Chamber Serenade
DESCRIPTION:Britten &Mozart\n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSaturdayMar 8\, 20255:00 PM  \n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSundayMar 9\, 20253:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonyKarim Sulayman TenorChristopher Caudill HornMichelle Merrill Conductor \n\n\n\nArvo PärtCantus in memoriam Benjamin Britten \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes  \n\n\n\n\n\nBenjamin BrittenSerenade for Tenor\, Horn\, and Strings \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\nW.A. MozartSymphony No. 41\, K551  “Jupiter” \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\n\n\nEstonian composer Arvo Pärt’s Cantus unfolds with haunting simplicity and profound solemnity\, paying homage to Benjamin Britten’s legacy and musical influence. Britten’s Serenade\, a masterpiece for smaller orchestra\, weaves together tenor and horn solos with ethereal string textures\, exploring themes of night\, nature\, and human existence. Mozart’s final symphony crowns the evening with its exuberant energy and brilliance. Join us for an unforgettable concert experience that traverses the depths of contemplation\, beauty\, and musical mastery across centuries and styles. \n\n\n\nPlease note:The Saturday evening\, Mar 8 performance is at 5:00 PM. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSaturdayMar 85:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSundayMar 93:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPre-Concert Talk\n\n\n\nSaturday at 4:00 PM | Sunday at 2:00 PM \n\n\n\nAll audience members are invited to join us in Centenary Church Dining Room\, directly off the 4½ Street lobby\, for a lively discussion about the music and surrounding context. Musicologist and Wake Forest University professor emeritus Dr. David Levy is your guide—pre-concert talks are free to attend\, and occur one hour before any classically-inspired concert. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nKarim Sulayman\, tenor\n\n\n\nLebanese-American tenor Karim Sulayman has garnered international attention as a sophisticated and versatile artist\, praised for his “lucid\, velvety tenor and pop-star charisma” (BBC Music Magazine). The 2019 Best Classical Solo Vocal GRAMMY® Award winner\, he continues to earn acclaim for his original and innovative programming and recording projects\, while regularly performing on the world’s stages in opera\, orchestral concerts\, recital and chamber music. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nChristopher Caudill\, horn\n\n\n\nChristopher Caudill began playing the horn at age ten while living in London\, England\, with his \nfamily. Piano and violin lessons had failed to do the trick\, but a London Symphony concert at the \nBarbican with famous soloist Barry Tuckwell made him fall in love with the horn. He is a graduate \nof Northwestern University\, where he earned a B.A. in European History before studying horn \nwith the Chicago Symphony’s former Principal Horn\, Dale Clevenger. He was a member of the \nCivic Orchestra of Chicago\, and the New World Symphony in Miami where he met his horn duet \npartner\, Rachel Niketopoulos. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMichelle Merrill\, conductor\n\n\n\nWSS Music Director Michelle Merrill served four years as the Assistant and then Associate Conductor of the Detroit Symphony Orchestra and also serves as the Music Director of the Coastal Symphony of Georgia\, where she has ignited the growth and expansion of the orchestra’s offerings both on and off the stage.  Ms. Merrill is a proud recipient of a 2016 Solti Foundation U.S. Career Assistance Award as well as the prestigious 2013 Ansbacher Conducting Fellowship as awarded by members of the Vienna Philharmonic and the American Austrian Foundation\, which enabled her to be in residence at the world-renowned Salzburg Festival. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nCentenary United Methodist Church646 W. Fifth St.Winston-Salem\, NC 27101 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRelated Events\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMusic Lovers’ Luncheon\n\n\n\nFriday\, Mar 7 at NoonForsyth Country Club3101 Country Club Rd.\, Winston-Salem \n\n\n\nEnjoy lunch with a side of interesting conversation! Michelle Merrill\, Karim Sulayman\, and Christopher Caudill talk about the work of Arvo Pärt\, Benjamin Britten\, and Mozart. \n\n\n\n\n Buy\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSymphony by the Glass\n\n\n\nThursday\, Mar 6 at 5pmThe Caviste1100 Reynolda Rd \n\n\n\nStop by for an afterwork glass from a selection of wines specifically paired to this week’s program! Enjoy music by WSS musicians and casual conversation with other Symphony goers. The event is free to attend; wines are available for purchase.
URL:https://www.wssymphony.org/event/a-chamber-serenade/2025-03-08/
LOCATION:Centenary United Methodist Church\, 646 W. 5th St.\, Winston-Salem\, NC\, United States
CATEGORIES:Classics Series
ATTACH;FMTTYPE=image/webp:https://www.wssymphony.org/wp-content/uploads/2024/04/047_20220424-DSC07289_JFarleyPhotography-copy.webp
GEO:36.0985935;-80.2508964
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Centenary United Methodist Church 646 W. 5th St. Winston-Salem NC United States;X-APPLE-RADIUS=500;X-TITLE=646 W. 5th St.:geo:-80.2508964,36.0985935
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241117T150000
DTEND;TZID=America/New_York:20241117T173000
DTSTAMP:20260503T135249
CREATED:20240729T195730Z
LAST-MODIFIED:20241108T035149Z
UID:10000072-1731855600-1731864600@www.wssymphony.org
SUMMARY:Expansive Soundscapes
DESCRIPTION:Expansive Soundscapes\n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSaturdayNov 16\, 20247:30 PM \n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSundayNov 17\, 20243:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonySterling Elliott CelloJodi Burns SopranoJason McKinney BassMichelle Merrill Conductor \n\n\n\nAntonín DvořákCello Concerto \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\nCarl NielsenSymphony No. 3\, “Espansiva” \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\n\n\nImmerse yourself in a mid-autumn concert as the lyrical beauty of Dvořák’s Cello Concerto\, performed by the imminent Sterling Elliott\, complements Nielsen’s Symphony No. 3\, “Espansiva\,” in a program that spans the breadth of human emotion. Dvořák’s masterpiece captivates with its soulful melodies and profound introspection\, showcasing the cello’s rich sonorities and technical brilliance. Nielsen’s “Espansiva\,” renowned for its expansive orchestration and innovative use of human voices\, offers a contrast with its bold symphonic gestures and lyrical themes that celebrate the vitality of life. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPre-Concert Talk\n\n\n\nSaturday at 6:30 PM | Sunday at 2:00 PM \n\n\n\nAll audience members are invited to join us in the Judy Voss Jones Fine Arts Center\, directly behind Reynolds Auditorium on its west side\, for a lively discussion about the music and surrounding context. Local musicologist Dr. Carol Reynolds is your guide—pre-concert talks are free to attend\, and occur one hour before any Classics Series concert. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSaturdayNov 167:30 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSundayNov 173:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSterling Elliott\, cello\n\n\n\nAcclaimed for his stellar stage presence and joyous musicianship\, cellist Sterling Elliott is a 2021 Avery Fisher Career Grant recipient and the winner of the Senior Division of the 2019 National Sphinx Competition. Already in his young career\, he has appeared with major orchestras such as the Philadelphia Orchestra\, the New York Philharmonic\, the Boston Symphony\, the Cleveland Orchestra\, and the Los Angeles Philharmonic. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJodi Burns\, soprano\n\n\n\nJodi Burns has been described as singing with a “plush voice and rich expressivity” (The New York Times). In her appearance as Anna Sorenson in Kevin Puts’ Silent Night\, (Piedmont Opera)\, The Winston-Salem Journal noted\, “Burns dazzle[s] with her lustrous soprano and bright charisma…” \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJason McKinney\, bass\n\n\n\nOriginally from Milwaukee\, WI\, Jason McKinney graduated from the University Of North Carolina School of the Arts\, where he studied voice with soprano Marilyn Taylor and tenor Glenn Siebert\, conducting with Maestro James Allbritten\, and composing with Kenneth Frazelle. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMichelle Merrill\, conductor\n\n\n\nWSS Music Director Michelle Merrill served four years as the Assistant and then Associate Conductor of the Detroit Symphony Orchestra and also serves as the Music Director of the Coastal Symphony of Georgia\, where she has ignited the growth and expansion of the orchestra’s offerings both on and off the stage.  Ms. Merrill is a proud recipient of a 2016 Solti Foundation U.S. Career Assistance Award as well as the prestigious 2013 Ansbacher Conducting Fellowship as awarded by members of the Vienna Philharmonic and the American Austrian Foundation\, which enabled her to be in residence at the world-renowned Salzburg Festival. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nReynolds Auditorium301 N. Hawthorne Rd.Winston-Salem\, NC 27104 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRelated Events\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMusic Lovers’ Luncheon\n\n\n\nFriday\, Nov 15 at NoonForsyth Country Club3101 Country Club Rd.\, Winston-Salem \n\n\n\nEnjoy lunch with a side of interesting conversation! Michelle Merrill discusses the work of Dvorak and Nielsen with guest cellist Sterling Elliott. \n\n\n\n\n Buy\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSymphony by the Glass\n\n\n\nThursday\, Nov 14 at 5pmThe Caviste1100 Reynolda Rd \n\n\n\nStop by for an afterwork glass from a selection of wines specifically paired to this week’s program! Enjoy music by WSS musicians and casual conversation with other Symphony goers. The event is free to attend; wines are available for purchase.
URL:https://www.wssymphony.org/event/expansive-soundscapes/2024-11-17/
LOCATION:Reynolds Auditorium\, 301 Hawthorne Rd. NW\, Winston-Salem\, NC\, 27104
CATEGORIES:Classics Series
ATTACH;FMTTYPE=image/webp:https://www.wssymphony.org/wp-content/uploads/2024/11/Sterling-1920x1080-1.webp
GEO:36.1011236;-80.2648333
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reynolds Auditorium 301 Hawthorne Rd. NW Winston-Salem NC 27104;X-APPLE-RADIUS=500;X-TITLE=301 Hawthorne Rd. NW:geo:-80.2648333,36.1011236
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241116T193000
DTEND;TZID=America/New_York:20241116T220000
DTSTAMP:20260503T135249
CREATED:20240729T195730Z
LAST-MODIFIED:20241108T035149Z
UID:10000071-1731785400-1731794400@www.wssymphony.org
SUMMARY:Expansive Soundscapes
DESCRIPTION:Expansive Soundscapes\n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSaturdayNov 16\, 20247:30 PM \n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSundayNov 17\, 20243:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonySterling Elliott CelloJodi Burns SopranoJason McKinney BassMichelle Merrill Conductor \n\n\n\nAntonín DvořákCello Concerto \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\nCarl NielsenSymphony No. 3\, “Espansiva” \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\n\n\nImmerse yourself in a mid-autumn concert as the lyrical beauty of Dvořák’s Cello Concerto\, performed by the imminent Sterling Elliott\, complements Nielsen’s Symphony No. 3\, “Espansiva\,” in a program that spans the breadth of human emotion. Dvořák’s masterpiece captivates with its soulful melodies and profound introspection\, showcasing the cello’s rich sonorities and technical brilliance. Nielsen’s “Espansiva\,” renowned for its expansive orchestration and innovative use of human voices\, offers a contrast with its bold symphonic gestures and lyrical themes that celebrate the vitality of life. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPre-Concert Talk\n\n\n\nSaturday at 6:30 PM | Sunday at 2:00 PM \n\n\n\nAll audience members are invited to join us in the Judy Voss Jones Fine Arts Center\, directly behind Reynolds Auditorium on its west side\, for a lively discussion about the music and surrounding context. Local musicologist Dr. Carol Reynolds is your guide—pre-concert talks are free to attend\, and occur one hour before any Classics Series concert. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSaturdayNov 167:30 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSundayNov 173:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSterling Elliott\, cello\n\n\n\nAcclaimed for his stellar stage presence and joyous musicianship\, cellist Sterling Elliott is a 2021 Avery Fisher Career Grant recipient and the winner of the Senior Division of the 2019 National Sphinx Competition. Already in his young career\, he has appeared with major orchestras such as the Philadelphia Orchestra\, the New York Philharmonic\, the Boston Symphony\, the Cleveland Orchestra\, and the Los Angeles Philharmonic. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJodi Burns\, soprano\n\n\n\nJodi Burns has been described as singing with a “plush voice and rich expressivity” (The New York Times). In her appearance as Anna Sorenson in Kevin Puts’ Silent Night\, (Piedmont Opera)\, The Winston-Salem Journal noted\, “Burns dazzle[s] with her lustrous soprano and bright charisma…” \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJason McKinney\, bass\n\n\n\nOriginally from Milwaukee\, WI\, Jason McKinney graduated from the University Of North Carolina School of the Arts\, where he studied voice with soprano Marilyn Taylor and tenor Glenn Siebert\, conducting with Maestro James Allbritten\, and composing with Kenneth Frazelle. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMichelle Merrill\, conductor\n\n\n\nWSS Music Director Michelle Merrill served four years as the Assistant and then Associate Conductor of the Detroit Symphony Orchestra and also serves as the Music Director of the Coastal Symphony of Georgia\, where she has ignited the growth and expansion of the orchestra’s offerings both on and off the stage.  Ms. Merrill is a proud recipient of a 2016 Solti Foundation U.S. Career Assistance Award as well as the prestigious 2013 Ansbacher Conducting Fellowship as awarded by members of the Vienna Philharmonic and the American Austrian Foundation\, which enabled her to be in residence at the world-renowned Salzburg Festival. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nReynolds Auditorium301 N. Hawthorne Rd.Winston-Salem\, NC 27104 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRelated Events\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMusic Lovers’ Luncheon\n\n\n\nFriday\, Nov 15 at NoonForsyth Country Club3101 Country Club Rd.\, Winston-Salem \n\n\n\nEnjoy lunch with a side of interesting conversation! Michelle Merrill discusses the work of Dvorak and Nielsen with guest cellist Sterling Elliott. \n\n\n\n\n Buy\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSymphony by the Glass\n\n\n\nThursday\, Nov 14 at 5pmThe Caviste1100 Reynolda Rd \n\n\n\nStop by for an afterwork glass from a selection of wines specifically paired to this week’s program! Enjoy music by WSS musicians and casual conversation with other Symphony goers. The event is free to attend; wines are available for purchase.
URL:https://www.wssymphony.org/event/expansive-soundscapes/2024-11-16/
LOCATION:Reynolds Auditorium\, 301 Hawthorne Rd. NW\, Winston-Salem\, NC\, 27104
CATEGORIES:Classics Series
ATTACH;FMTTYPE=image/webp:https://www.wssymphony.org/wp-content/uploads/2024/11/Sterling-1920x1080-1.webp
GEO:36.1011236;-80.2648333
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reynolds Auditorium 301 Hawthorne Rd. NW Winston-Salem NC 27104;X-APPLE-RADIUS=500;X-TITLE=301 Hawthorne Rd. NW:geo:-80.2648333,36.1011236
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240922T150000
DTEND;TZID=America/New_York:20240922T173000
DTSTAMP:20260503T135249
CREATED:20240729T195750Z
LAST-MODIFIED:20240917T234747Z
UID:10000064-1727017200-1727026200@www.wssymphony.org
SUMMARY:Rhapsody in Blue
DESCRIPTION:Rhapsody in Blue\n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSaturdaySep 21\, 20247:30 PM \n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSundaySep 22\, 20243:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonyRay Ushikubo PianoMichelle Merrill Conductor \n\n\n\nJohannes BrahmsSymphony No. 2 in D Major \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\nGeorge GershwinRhapsody in Blue \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\nRichard StraussSuite from Der Rosenkavalier \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\n\n\nBrahms’ Second Symphony\, known for its sunny disposition and pastoral charm\, sets the stage with its lyrical melodies and lush orchestration. Echoing this bright cheer\, excerpts from Strauss’ opera Der Rosenkavalier evoke the elegance and romance of Viennese waltzes\, captivating audiences with their sumptuous melodies and rich orchestral colors. Between\, dazzling pianist Ray Ushikubo then takes center stage with Gershwin’s jazz- infused masterpiece\, effortlessly blending classical refinement with the exuberance of American jazz\, showcasing his virtuosity and versatility on the piano. Together\, these works illuminate the concert hall with a kaleidoscope of emotions and musical brilliance\, offering a captivating journey through 19th-century elegance and 20th-century innovation. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPre-Concert Talk\n\n\n\nSaturday at 6:30 PM | Sunday at 2:00 PM \n\n\n\nAll audience members are invited to join us in the Judy Voss Jones Fine Arts Center\, directly behind Reynolds Auditorium on its west side\, for a lively discussion about the music and surrounding context. Wake Forest University musicologist Dr. Megan Francisco will give insight to the works of Brahms\, Gershwin\, and Strauss. Pre-concert talks are free to attend\, and occur one hour before any Classics Series concert. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSaturdaySep 217:30 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSundaySep 223:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRay Ushikubo\, piano\n\n\n\nKnown for his “disciplined focus and clarity… and marvelous dynamic nuance” (Arts Knoxville)\, Ray Ushikubo is a twenty-three-year-old Japanese-American pianist and violinist who has performed on the stages of Carnegie Hall and Walt Disney Concert Hall\, and appeared on NBC’s The Tonight Show with Jay Leno.  \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMichelle Merrill\, conductor\n\n\n\nWSS Music Director Michelle Merrill served four years as the Assistant and then Associate Conductor of the Detroit Symphony Orchestra and also serves as the Music Director of the Coastal Symphony of Georgia\, where she has ignited the growth and expansion of the orchestra’s offerings both on and off the stage.  Ms. Merrill is a proud recipient of a 2016 Solti Foundation U.S. Career Assistance Award as well as the prestigious 2013 Ansbacher Conducting Fellowship as awarded by members of the Vienna Philharmonic and the American Austrian Foundation\, which enabled her to be in residence at the world-renowned Salzburg Festival. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nReynolds Auditorium301 N. Hawthorne Rd.Winston-Salem\, NC 27104 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRelated Events\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMusic Lovers’ Luncheon\n\n\n\nFriday\, Sep 20 at NoonForsyth Country Club3101 Country Club Rd.\, Winston-Salem \n\n\n\nEnjoy lunch with a side of interesting conversation! Michelle Merrill discusses the work of Brahms\, Gershwin\, and Strauss with guest pianist Ray Ushikubo. \n\n\n\n\n Buy\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSymphony by the Glass\n\n\n\nThursday\, May 2 at 5pmThe Caviste1100 Reynolda Rd \n\n\n\nStop by for an afterwork glass from a selection of wines specifically paired to this week’s program! Enjoy music by WSS musicians and casual conversation with other Symphony goers. The event is free to attend; wines are available for purchase. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDrinks at The Remedy\n\n\n\nSaturday evening\, after the concertThe Remedy Cafe & Bar492 West End Blvd. \n\n\n\nAfter the Saturday concert\, join us at The Remedy for a glass of wine and chat with Symphony musicians and fellow concertgoers in a hip\, cozy atmosphere.
URL:https://www.wssymphony.org/event/rhapsody-in-blue/2024-09-22/
LOCATION:Reynolds Auditorium\, 301 Hawthorne Rd. NW\, Winston-Salem\, NC\, 27104
CATEGORIES:Classics Series
ATTACH;FMTTYPE=image/webp:https://www.wssymphony.org/wp-content/uploads/2024/03/RayUshikubo_web-use.webp
GEO:36.1011236;-80.2648333
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reynolds Auditorium 301 Hawthorne Rd. NW Winston-Salem NC 27104;X-APPLE-RADIUS=500;X-TITLE=301 Hawthorne Rd. NW:geo:-80.2648333,36.1011236
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240921T193000
DTEND;TZID=America/New_York:20240921T220000
DTSTAMP:20260503T135249
CREATED:20240729T195750Z
LAST-MODIFIED:20240917T234747Z
UID:10000063-1726947000-1726956000@www.wssymphony.org
SUMMARY:Rhapsody in Blue
DESCRIPTION:Rhapsody in Blue\n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSaturdaySep 21\, 20247:30 PM \n\n\n\n\n\n\n\n\n\n\n Buy\n\n\n\n\n\n\nSundaySep 22\, 20243:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWinston-Salem SymphonyRay Ushikubo PianoMichelle Merrill Conductor \n\n\n\nJohannes BrahmsSymphony No. 2 in D Major \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\nGeorge GershwinRhapsody in Blue \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\nRichard StraussSuite from Der Rosenkavalier \n\n\n\n\n\n\n\n\n\n\n\nProgram Notes \n\n\n\n\n\n\n\nBrahms’ Second Symphony\, known for its sunny disposition and pastoral charm\, sets the stage with its lyrical melodies and lush orchestration. Echoing this bright cheer\, excerpts from Strauss’ opera Der Rosenkavalier evoke the elegance and romance of Viennese waltzes\, captivating audiences with their sumptuous melodies and rich orchestral colors. Between\, dazzling pianist Ray Ushikubo then takes center stage with Gershwin’s jazz- infused masterpiece\, effortlessly blending classical refinement with the exuberance of American jazz\, showcasing his virtuosity and versatility on the piano. Together\, these works illuminate the concert hall with a kaleidoscope of emotions and musical brilliance\, offering a captivating journey through 19th-century elegance and 20th-century innovation. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nPre-Concert Talk\n\n\n\nSaturday at 6:30 PM | Sunday at 2:00 PM \n\n\n\nAll audience members are invited to join us in the Judy Voss Jones Fine Arts Center\, directly behind Reynolds Auditorium on its west side\, for a lively discussion about the music and surrounding context. Wake Forest University musicologist Dr. Megan Francisco will give insight to the works of Brahms\, Gershwin\, and Strauss. Pre-concert talks are free to attend\, and occur one hour before any Classics Series concert. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSingle tickets to this event go on sale June 2\, but you can save your seat with a subscription! \n\n\n\n\n\n\n\n\n\n\n  Subscribe now.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSaturdaySep 217:30 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSundaySep 223:00 PM \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRay Ushikubo\, piano\n\n\n\nKnown for his “disciplined focus and clarity… and marvelous dynamic nuance” (Arts Knoxville)\, Ray Ushikubo is a twenty-three-year-old Japanese-American pianist and violinist who has performed on the stages of Carnegie Hall and Walt Disney Concert Hall\, and appeared on NBC’s The Tonight Show with Jay Leno.  \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMichelle Merrill\, conductor\n\n\n\nWSS Music Director Michelle Merrill served four years as the Assistant and then Associate Conductor of the Detroit Symphony Orchestra and also serves as the Music Director of the Coastal Symphony of Georgia\, where she has ignited the growth and expansion of the orchestra’s offerings both on and off the stage.  Ms. Merrill is a proud recipient of a 2016 Solti Foundation U.S. Career Assistance Award as well as the prestigious 2013 Ansbacher Conducting Fellowship as awarded by members of the Vienna Philharmonic and the American Austrian Foundation\, which enabled her to be in residence at the world-renowned Salzburg Festival. \n\n\n\n\nRead more.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nVenue\n\n\n\nReynolds Auditorium301 N. Hawthorne Rd.Winston-Salem\, NC 27104 \n\n\n\n\nDirections & Parking\n\n\n\n\n\n\n\n\n\n\n\n\n\nRideshare and Dining\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nWhat will my view be like?\n\n\n\nWhile Reynolds Auditorium’s sightlines and sound are best enjoyed in the Mezzanine\, Orchestra-level seating also offers superb viewing and sound\, especially in rows F through O. Please bear in mind that Reynolds Auditorium is a historic venue; there is no elevator\, thus the Mezzanine and Balcony levels are only accessed via stairs. Accessible seating is available on the Orchestra level at the rear of the house and along the outside left and right.  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nRelated Events\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nMusic Lovers’ Luncheon\n\n\n\nFriday\, Sep 20 at NoonForsyth Country Club3101 Country Club Rd.\, Winston-Salem \n\n\n\nEnjoy lunch with a side of interesting conversation! Michelle Merrill discusses the work of Brahms\, Gershwin\, and Strauss with guest pianist Ray Ushikubo. \n\n\n\n\n Buy\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nSymphony by the Glass\n\n\n\nThursday\, May 2 at 5pmThe Caviste1100 Reynolda Rd \n\n\n\nStop by for an afterwork glass from a selection of wines specifically paired to this week’s program! Enjoy music by WSS musicians and casual conversation with other Symphony goers. The event is free to attend; wines are available for purchase. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nDrinks at The Remedy\n\n\n\nSaturday evening\, after the concertThe Remedy Cafe & Bar492 West End Blvd. \n\n\n\nAfter the Saturday concert\, join us at The Remedy for a glass of wine and chat with Symphony musicians and fellow concertgoers in a hip\, cozy atmosphere.
URL:https://www.wssymphony.org/event/rhapsody-in-blue/2024-09-21/
LOCATION:Reynolds Auditorium\, 301 Hawthorne Rd. NW\, Winston-Salem\, NC\, 27104
CATEGORIES:Classics Series
ATTACH;FMTTYPE=image/webp:https://www.wssymphony.org/wp-content/uploads/2024/03/RayUshikubo_web-use.webp
GEO:36.1011236;-80.2648333
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Reynolds Auditorium 301 Hawthorne Rd. NW Winston-Salem NC 27104;X-APPLE-RADIUS=500;X-TITLE=301 Hawthorne Rd. NW:geo:-80.2648333,36.1011236
END:VEVENT
END:VCALENDAR