Christine Lamprea

CHRISTINE LAMPREA, Cellist and 2018 Sphinx Medal of Excellence Winner, is an artist known for her emotionally committed and intense performances. Upon her Carnegie Hall debut as soloist in 2013, she has since returned to Carnegie, as well as performed with orchestras such Costa Rica National Symphony, Detroit Symphony, Houston Symphony, National Symphony of Michoacan, New Jersey Symphony, San Antonio Symphony, Santa Fe Pro Musica, and toured with the Sphinx Virtuosi across the U.S. As a recitalist, Ms. Lamprea has appeared on prestigious series at Illinois’ Krannert Center for the  Performing Arts, Florida’s Kravis Center for the Performing Arts, Pepperdine University, the Los Angeles County Museum of Art, and the Washington Performing Arts Society. In demand as a chamber musician, she performs   regularly with the Jupiter Symphony Chamber Players, and has performed with such musicians as Shmuel Ashkenasi,   Sarah Chang, Itzhak Perlman, Roger Tapping, and Carol Wincenc.                                          

Ms. Lamprea strives to expand her musical boundaries by exploring many genres of music and non-traditional   venues for performance and teaching. Her Songs of Colombia Suite includes arrangements of traditional South  American tunes for cello and piano or guitar, and have been performed at the Colombian Embassy and Supreme Court of the United States for Justice Sonia Sotomayor. She has worked with members of Baroque ensemble Les Arts Florissants, and studied sonatas with fortepiano with Audrey Axinn. She has premiered several works by composers of today. In recent years, she commissioned cadenzas for the Haydn D Major Concerto by Jessie Montgomery, and premiered Jeffrey Mumford’s cello concerto “of fields unfolding…echoing depths of resonant light” with the San Antonio Symphony.

Ms. Lamprea is on the cello faculty at the Longy School of Music of Bard College, serves as substitute faculty at the Juilliard School, and served as Lecturer of Cello at the Texas Christian University School of Music for the 2018-19 academic year. Ms. Lamprea has given masterclasses for the Vivac-e Festival, Idyllwild Arts Academy, Wintergreen Summer Music Festival, among others. She has worked with Ecuadorian youth in the cities of Quito and Guayaquil, as part of a residency between The Juilliard School and “Sinfonia Por La Vida,” a social inclusion program modeled after Venezuela’s El Sistema program. Christine Lamprea is the recipient of a Paul and Daisy Soros Fellowship for New Americans, which supported her studies at the New England Conservatory, and a Sphinx MPower Artist Grant, which supported her study with acclaimed cellist Matt Haimovitz. She studied with Bonnie Hampton at The Juilliard School and holds a Master’s degree from the New England Conservatory, where she studied with Natasha Brofsky. Additional influences were Lynn Harrell, Frans Helmerson, and Philippe Muller. Previous teachers include Ken Freudigman and Ken Ishii.    

Paperhand Puppet Intervention

Paperhand Puppet Project’s mission is to create art that inspires connection. By practicing, performing and teaching the art of puppetry, we strive to nurture the best in humanity, build creative culture, and help celebrate and protect the natural world.

Our vision is inspired by our love for the earth and its creatures (including humans). We will synthesize many art forms including, but never limited to, sculpting, painting, dance, music, improvisation, costume design, set design and theater. We are committed to creating multi-scaled and multi-disciplinary puppet performances that support this vision.

We will use this puppetry, performance and creativity to undermine and eradicate greed, hate and fear and promote justice, equality and peace. We will work uncompromisingly to these ends.

Paperhand Puppet Intervention is comprised of artists who share their energy, creativity, sweat, smarts, strength, support and hold a belief in our vision and promote our mission. Community is the lifeblood of Paperhand. It makes our creations, our performances and Paperhand Puppet Intervention’s existence possible.